“Yes,” she answered. “Will you be coming alone?” “We must help her,” she answered somewhat lamely. “She’s anxious to learn, I know.”!

He explained that he had been listening to the band in the gardens, returning by the Quai d’Orsay. “Did he, Carlyle, ever come to this church?” asked Joan.

She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. The years that followed—till, like some shipwrecked swimmer to whom returning light reveals the land, she felt new life and hopes come back to her—always remained in her memory vague, confused; a jumble of events, thoughts, feelings, without sequence or connection. She had reached a neighbourhood of narrow, crowded streets. The women were mostly without hats; and swarthy men, rolling cigarettes, lounged against doorways. The place had a quaint foreign flavour. Tiny cafés, filled with smoke and noise, and clean, inviting restaurants abounded. She was feeling hungry, and, choosing one the door of which stood open, revealing white tablecloths and a pleasant air of cheerfulness, she entered. It was late and the tables were crowded. Only at one, in a far corner, could she detect a vacant place, opposite to a slight, pretty-looking girl very quietly dressed. She made her way across and the girl, anticipating her request, welcomed her with a smile. They ate for a while in silence, divided only by the narrow table, their heads, when they leant forward, almost touching. Joan noticed the short, white hands, the fragrance of some delicate scent. There was something odd about her. She seemed to be unnecessarily conscious of being alone. Suddenly she spoke.